Luhring Augustin, New York, Nov. 18 2023 to Feb 3 2024
Hauser and Wirth, New York., Nov 9 2023 to January 8 2024.







M+ Museum, Hong Kong, 20 September 2025 to 8 January 2026
From the M+ Museum in West Kowloon, this blockbuster exhibition, Dream Rooms: Environments by Women Artists 1950s–Now, was a massive, shimmering statement that basically told the Hong Kong art scene that women have been building entire worlds for decades. The show takes over several key spaces in the museum, including the West Gallery, Focus Gallery, Atrium, and the Main Hall. Because many of the installations were “environments” (like the Feather Room and Spectral Passage), the show had specific “House Rules” most notably that visitors had to remove their shoes and wear socks to enter the actual artworks.





The Concept: Art You Can Live In
The brilliance of Dream Rooms was perhaps in the scale, but also in the reclaiming of history. For years, “environmental art” (large-scale installations) was seen as a masculine pursuit: heavy materials, industrial grit, “man against nature.” This show proves that women were also the true pioneers of immersive spaces, often using “soft” or ephemeral materials to create even more powerful psychological impact.
The Standouts:
T Space, Rhinebeck, New York, July 16 to October 1 2023



I met Ann Hamilton in 1998 when she installed her piece “Myein” at the Venice Biennale (I was working to install the Philip Johnson exhibition at the Ca’ Zenobio). Was delighted to see her again here at her work exhibited at Steven Holl’s T Space room.
This piece is an installation of wool coats and sheep fleece, as aromatic as it was beautiful
Inscribed on a stone near the coats are her words:
as outside is to inside
-Hamilton
as animal is to human
as stone is to words
as sound is to song
as image is to object
as made is to grown