Tag: Ceramics

Ceramics, Sculpture

A Hidden Oasis in the Bronx

Tucked away on the ground floor of the Walsh Family Library at Fordham’s Rose Hill campus, the Fordham Museum of Greek, Etruscan, and Roman Art is one of New York City’s best-kept secrets. For anyone in the Bronx, it offers a startlingly intimate encounter with the ancient world, particularly the enigmatic Etruscan civilization that predated and influenced the rise of Rome.

The museum’s location (literally inside a library) creates a quiet atmosphere. Unlike the sprawling halls of the Met, where you might feel like one of many thousands, here you are often the only person in the room with artifacts that are 2,500 years old. Windows look out onto the campus, grounding the ancient objects in a modern academic setting.

Etruscan Highlights

While the collection spans the Mediterranean, its Etruscan holdings are particularly evocative of a culture that blended elegance with a deep focus on the afterlife and ritual.

  • Bucchero Ware: The collection’s standout is its array of Bucchero pottery. This is the signature “black-on-black” ceramic of the Etruscans, designed to mimic more expensive hammered metal. The deep, lustrous black finish and sharp, angular shapes provide a striking contrast to the more common red-and-black figure Greek vases nearby.
  • Votive Offerings: You’ll find a fascinating collection of terracotta votive heads and feet. These were left at temples as “thank you” notes or prayers for healing. They are surprisingly human and individualistic, offering a direct emotional link to the people from the Italian peninsula long before the Caesars.
  • The Burial Amphora: A centerpiece of the renovated gallery is a large Etruscan Amphora (ca. 650 B.C.E.). It serves as a focal point for understanding Etruscan burial ceremonies, surrounded by smaller implements like bronze spearheads and cosmetic applicators.
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Ceramics, Contemporary Art, Uncategorized

Tammie Rubin: Points of Origin

C24 Gallery, New York, New York, January 11 – 8 March 2024

From C24’s Exhibition Description:

Rubin’s conical sculptures reference hoods, headdresses, and helmets, and manifest power, awe, anonymity, horror, and magical thinking. The sculptures have a wide range of references from Catholic capirote hats, Ku Klux Klan hoods, and West African & Aboriginal headdresses, to dunce caps and medieval helmets. Suspended somewhere between familiarity and uncertainty, these sculptures capture the duality that is at the heart of Black life in the United States.

-C24 Gallery
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