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Contemporary Art, Sculpture

Kate Berry Brown, “Wood Paper Paint”

  • June 12, 2023

Ricco/Maresca, New York, June 8 to August 11 2023

Tags: Contemporary Art, Sculpture
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Contemporary Art, Painting

Alex Katz

  • December 8, 2023

Gladstone Gallery, New York, November 8, 2023 – January 6, 2024

…

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Ceramics, Contemporary Art, Drawing, Painting, Photography

Art in China after 1989: Theater of the World

  • October 6, 2017

Guggenheim Museum, Oct 6 2017 to January 7 2018

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Ceramics, Contemporary Art, Uncategorized

Tammie Rubin: Points of Origin

  • January 11, 2024

C24 Gallery, New York, New York, January 11 – 8 March 2024

From C24’s Exhibition Description:

Rubin’s conical sculptures reference hoods, headdresses, and helmets, and manifest power, awe, anonymity, horror, and magical thinking. The sculptures have a wide range of references from Catholic capirote hats, Ku Klux Klan hoods, and West African & Aboriginal headdresses, to dunce caps and medieval helmets. Suspended somewhere between familiarity and uncertainty, these sculptures capture the duality that is at the heart of Black life in the United States.

-C24 Gallery
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Contemporary Art, Painting

Georg Baselitz: “The Painter in his Bed”

  • November 10, 2023

Gagosian, New York, November 9–December 22, 2023

Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, a bed with stockings from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, stags from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Gagosian Gallery opening for Baselitz

Georg Baselitz (born Hans-Georg Kern, 1938) is a German painter and sculptor, commonly known for painting his subjects upside down. He took this approach as a pivot in his career in 1969, with a show of inverted portraits that soon became his signature gesture.

This exhibit is series of neo-expressionist paintings, paired subjects of figures in a bed and inverted deer stags.

The compelling works featured in The Painter in His Bed focus on two motifs: figures in bed and the stag. Defining human and animal anatomy with raw expression, Baselitz negotiates apperception of these subjects through his distinctive painterly approach. Vigorously applying layers of paint, he affixes stretched nylon stockings and sheets of gauze across the upper parts of the paintings or makes monoprinted impressions of their shapes. With these additions, Baselitz extends the innovation of Springtime, his 2021 exhibition in the same space in New York. Dedicated to the spirited provocations of Hannah Höch, Kurt Schwitters, and other Dadaists, the works in Springtime draw upon these artists’ irreverent introduction of everyday materials into the realm of art. Whereas many of the Springtime paintings are exuberantly colored, the new works are dominated by elemental contrasts of black and white.

Gagosian Gallery
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