Metropolitan Museum of Art, New York
Tag: Modern Art
Picasso’s “Demoiselles d’Avignon”
Museum of Modern Art, New York, Permanent Collection
John Hoyland: “Thresholds, Paintings 1965-1970”
Hales Gallery, New York, 1 December 2023 – 20 January 2024
A post-war abstract painter, Hoyland explored from London a parallel course to his contemporary New York painters in the abstract expressionist movement. This show at Hales Gallery highlights his investigation in acrylics, with layering, staining and other inventive mark-making.
From the Hales exhibition:
-Hales exhibition catalogue
Hoyland (b.1934 Sheffield, UK – d.2011 London, UK) was one of the most inventive and dynamic abstract painters of the post-war period. Over the span of more than a half-century his art and attitudes constantly evolved. A distinctive artistic personality emerged, concerned with color, painterly drama, with both excess and control, with grandeur and above all, with the vehement communication of feeling.
Picasso: 14 Sketchbooks, 1900-1959
Pace Gallery, New York, November 10 – December 23, 2023
A fascinating show of Picasso’s sketchbooks ranging through his career at Pace.
From the Gallery’s site:
Organized in collaboration with the Fundación Almine y Bernard Ruiz-Picasso, Madrid (FABA)—with whom our gallery has maintained a longstanding relationship—this exhibition of Picasso’s sketchbooks will offer a unique and intimate view of the ways in which the artist worked, tracing the evolution of his observations and ideas into plans for his compositions across painting and sculpture.
Robert Ryman: 1961-1964
David Zwirner, New York, November 9, 2023—February 3, 2024
Robert Ryman (May 30, 1930 – February 8, 2019) was an American conceptual artist closely identified with the high modernist Minimalist mode of painting in the 1960’s. Interestingly he did not attend an art school or program of art studies at a university. Instead, his visual interests began when he worked as a security guard at MoMA, befriending fellow employees Sol Lewitt and Dan Flavin.
From the David Zwirner exhibition text:
Ryman gained initial recognition for the work he made in the late 1960s and early 1970s. As a result, his paintings created prior to this period remain less well known to this day. Yet it was during the early 1960s that Ryman began to firmly establish the broad parameters of his radical and inventive practice. His paintings from these years reflect how, even at this early point, Ryman was already looking to interrogate and reinterpret the fundamental precepts of painting by experimenting with different supports and materials; deconstructing the relationship between frame and wall; and more broadly, investigating the visual, material, and experiential qualities that define the conditions in which a work of art is encountered. It was also at this time that the artist settled on the square as the primary format for his art and began experimenting with scale, a consequence, in part, of his move around 1961 to a studio space that afforded him the ability to work in larger formats.
David Zwirner Gallery
Cezanne: Drawing
Museum of Modern Art, New York, New York Jun 6–Sep 25, 2021
Picasso Sculpture
Museum of Modern Art, New York, Sep 14, 2015–Feb 7, 2016
