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Gary Hume
Matthew Marks Gallery, New York, New York November 10 to December 22, 2023
These new works are signature Gary Hume: slick, flat, and glossy. He explores his languid forms with household alkyd paint, leaning, in this case, toward abstraction. The shapes are seemingly unchallenging and easy to digest — is this the visual equivalent of Nickelback? — although the color palette has some interesting dissonance. The motif of swans heads is scattered through the paintings, but they are abstracted and non-specific in their storytelling.
The housepaint used is interesting as some of the early work that established his reputation is starting to effloresce, as house paint alkyd contains different sets of acids than fine arts paints. The substrate is aluminum, which Hume has found balances the need for a visually perfectly flat surface with lightness, strength, and stability.
The questions on this work revolve around the level of seriousness. Is this work glib? Is it overly stylized? Does it have a narrative tension? Not sure that this is much more than law firm conference room art.
Hume (England, 1962) works in both London and the Catskills, New York, although recently put the Catskills studio up on the market.
Jane Rosen: New Studies
Sears-Peyton Gallery, New York, January 30 to March 8 2025
At Sears-Peyton Gallery (Jan 30–Mar 8, 2025), New Studies distilled Jane Rosen’s lifelong attention to animal presence into spare, lucid objects and drawings. The show paired hand-blown, pigmented-glass “birds” poised on limestone or travertine plinths with sheets of Korean watercolor and gouache. Works that read like field notes pared to essentials. The figures sit in dialogue with their stone bases; on the walls, feathered marks and negative space do the same work at paper scale. The installation made her method plain: subtract until the living line remains.
Born in New York City in 1950, Jane Rosen worked across sculpture and drawing, often marrying blown glass to found or carved stone to consider animal intelligence and our ties to the natural world. After early decades in the New York scene, she relocated to the California coast, teaching widely (including SVA, Stanford, and UC Berkeley) while developing the avian forms that became her signature. Rosen died on April 18, 2025, in Northern California.
Tanel Veenre: BeforeAfter
Ornamentum, Hudson New York. June 24 – July 16, 2023
Tanel Veenre is an Estonian artist focusing on jewelry and wearables that he crafts from wooden organ pipe components, reconfigured into sculptural form. According to wikipedia he is a “jewelry artist,” an awkward phrase trying to describe the in-betweenness of his work. This show at Ornamentum in Hudson mixes elements of craft, jewelry, art, and even a bit of musicianship — apparently the pipes all still produce tone if you blow through them.
He comes from a family of artists and musicians, and if I have the story correctly these pieces are reconfigurations of a wooden organ that his father gave him as a gift.
I am pleased with Veenre’s choices to forgo emphasizing or fetishizing the joinery of the pieces, which is a notorious tempation when working with wood. Instead, the pipe components are reworked with collisional butt-joints and moments of hinging. The effect gives a feel of accidental form and beauty.