Archives

  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • December 2022
  • November 2022
  • October 2022
  • June 2022
  • January 2022
  • June 2021
  • March 2021
  • January 2021
  • June 2019
  • July 2018
  • May 2018
  • November 2017
  • October 2017
  • September 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • October 2016
  • September 2016
  • August 2016
  • May 2016
  • October 2015
  • September 2015
  • May 2015
  • December 2014
  • October 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • December 2012
  • June 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • May 2011
  • June 2010
  • May 2010
  • February 2006

Categories

  • Architecture
  • Ceramics
  • Contemporary Art
  • Drawing
  • Modern Art
  • mosaic
  • Painting
  • Photography
  • Sculpture
  • textiles
  • Uncategorized
Smokychimp
  • About
  • Say hello!
Contemporary Art, Painting

Inka Essenhigh

  • April 27, 2023

Miles McEnery Gallery, New York, NY April 27 to June 3 2023

Tags: Contemporary Art, Painting
Share:

You might also like:

Contemporary Art, Sculpture

Peter Buggenhout

  • March 8, 2012

Barbara Gladstone Gallery. “The Spirit Level,” group show. March 24 – April 21 2012

Read more
Share:
Modern Art, Painting

Robert Ryman: 1961-1964

  • November 10, 2023

David Zwirner, New York, November 9, 2023—February 3, 2024

Robert Ryman (May 30, 1930 – February 8, 2019) was an American conceptual artist closely identified with the high modernist Minimalist mode of painting in the 1960’s. Interestingly he did not attend an art school or program of art studies at a university. Instead, his visual interests began when he worked as a security guard at MoMA, befriending fellow employees Sol Lewitt and Dan Flavin.

From the David Zwirner exhibition text:

Ryman gained initial recognition for the work he made in the late 1960s and early 1970s. As a result, his paintings created prior to this period remain less well known to this day. Yet it was during the early 1960s that Ryman began to firmly establish the broad parameters of his radical and inventive practice. His paintings from these years reflect how, even at this early point, Ryman was already looking to interrogate and reinterpret the fundamental precepts of painting by experimenting with different supports and materials; deconstructing the relationship between frame and wall; and more broadly, investigating the visual, material, and experiential qualities that define the conditions in which a work of art is encountered. It was also at this time that the artist settled on the square as the primary format for his art and began experimenting with scale, a consequence, in part, of his move around 1961 to a studio space that afforded him the ability to work in larger formats.

David Zwirner Gallery
Read more
Share:
Contemporary Art, Painting

Anselm Keifer: “Transition from Cool to Warm”

  • May 5, 2017

Gagosian Gallery, New York, May 5–September 1, 2017

Read more
Share:
Contemporary Art, Painting

Bridget Riley Drawings: From the Artist’s Studio

  • October 4, 2023
Abstract sketch by Bridget Riley

Morgan Library, New York, June 23 through October 8, 2023.

I have never really considered that preparatory drawings might be an important part of Bridget Riley’s workflow, but this exhibit at the Morgan proves it. The works are all donated for the show by the artist herself, from her personal collection.

Riley is one of the most accomplished abstract artists of the period, and live in a middle range between Op Art and Minimalism. Seeing the discipline of these small sketches as generators of the larger finished ideas is a revelation.

The exhibition introduction notes that this is the first show of Riley’s drawings in fifty years.

Drawing is having an eye at the end of a pencil

-Riley

  • This image has an empty alt attribute; its file name is IMG_8559.jpg
Read more
Share:
Smoky Chimp art in new york city
  • About
  • Say hello!

Recent Posts

  • Tom Sachs: Bronze
  • Materialized Space: The Architecture of Paul Rudolph
  • Siena: The Rise of Painting, 1300–1350
  • Cecily Brown
  • Walton Ford: “Birds and Beasts of the Studio”

Subjects

Abstraction Ai Wei Wei Architecture Bronze Ceramics Chinese art Contemporary Art craft Drawing fabric Figurative Art Frick Group Show installation Japanese art jewelry Minimalism Modern Art Painting Photography Picasso pottery Sculpture Set design Sketchbooks textiles watercolor
copyright 2023
  • Follow us: