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Contemporary Art, Painting

Anselm Keifer: “Transition from Cool to Warm”

  • May 5, 2017

Gagosian Gallery, New York, May 5–September 1, 2017

Tags: Contemporary Art, Painting, watercolor
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Contemporary Art, Drawing, Painting, Sculpture

“Bodies, Bodies, Bodies: Raffish Vulnerability and Profane Ambivalence”

  • June 15, 2023

Pen + Brush, New York, June 15 to August 26 2023

Suzanne Unrein “The Animals Are Dancing” 2020
Alfa Ros Petursdottir, “Women’s Parliament” 2023
Heather Goodwind, “Veiled Eye, Right” 2013

“‘Bodies’ represents the authentic and earnest ways in which these artists buck convention so thoroughly that the final product appears unabashed, even crude. The body is literally what binds us, yet here, and contemporarily, it also separates us as we inevitably react to this public and radical display. This show forces viewers to reckon with their own perspectives, values, boundaries, and biases” -Curator Parker Daley Garcia.

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Contemporary Art, Painting

Georg Baselitz: “The Painter in his Bed”

  • November 10, 2023

Gagosian, New York, November 9–December 22, 2023

Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, a bed with stockings from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, stags from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Georg Baselitz, a stag from "The Painter in his Bed"
Gagosian Gallery opening for Baselitz

Georg Baselitz (born Hans-Georg Kern, 1938) is a German painter and sculptor, commonly known for painting his subjects upside down. He took this approach as a pivot in his career in 1969, with a show of inverted portraits that soon became his signature gesture.

This exhibit is series of neo-expressionist paintings, paired subjects of figures in a bed and inverted deer stags.

The compelling works featured in The Painter in His Bed focus on two motifs: figures in bed and the stag. Defining human and animal anatomy with raw expression, Baselitz negotiates apperception of these subjects through his distinctive painterly approach. Vigorously applying layers of paint, he affixes stretched nylon stockings and sheets of gauze across the upper parts of the paintings or makes monoprinted impressions of their shapes. With these additions, Baselitz extends the innovation of Springtime, his 2021 exhibition in the same space in New York. Dedicated to the spirited provocations of Hannah Höch, Kurt Schwitters, and other Dadaists, the works in Springtime draw upon these artists’ irreverent introduction of everyday materials into the realm of art. Whereas many of the Springtime paintings are exuberantly colored, the new works are dominated by elemental contrasts of black and white.

Gagosian Gallery
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Contemporary Art, Modern Art, Sculpture

Mark di Suvero “Nova Albion”

  • May 7, 2010
Sculpture called New Albion by Mark di Suvero

Paula Cooper Gallery, New York, May 1-July 31 2010

The exhibition presents Nova Albion, 1964-1965, a monumental 24-feet high sculpture made of steel and redwood logs. Nova Albion is named after the white cliffs of northern California that were seen by Captain Francis Drake on June 17, 1579. The California beaches Drake explored are the same ones where di Suvero built this piece using found drift wood logs. In the title, Nova refers to a star that suddenly becomes a thousand times brighter and then gradually fades to its original intensity, and Albion refers to the earliest known name for England.

-Paula Cooper Gallery

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Contemporary Art, Drawing, Painting, Sculpture

Louise Bourgeois: An Unfolding Portrait

  • September 24, 2017

The Museum of Modern Art, New York, Sep 24, 2017–Jan 28, 2018

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