Guggenheim, New York Oct 25 to January 22 2014
Christopher Wool
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“Bodies, Bodies, Bodies: Raffish Vulnerability and Profane Ambivalence”
Pen + Brush, New York, June 15 to August 26 2023
“‘Bodies’ represents the authentic and earnest ways in which these artists buck convention so thoroughly that the final product appears unabashed, even crude. The body is literally what binds us, yet here, and contemporarily, it also separates us as we inevitably react to this public and radical display. This show forces viewers to reckon with their own perspectives, values, boundaries, and biases” -Curator Parker Daley Garcia.
Tadaaki Kuwayama: 1932-2023.
Marlborough Gallery, New York, Nov 9 2023 to January 13 2024.
Georg Baselitz: “The Painter in his Bed”
Gagosian, New York, November 9–December 22, 2023
Georg Baselitz (born Hans-Georg Kern, 1938) is a German painter and sculptor, commonly known for painting his subjects upside down. He took this approach as a pivot in his career in 1969, with a show of inverted portraits that soon became his signature gesture.
This exhibit is series of neo-expressionist paintings, paired subjects of figures in a bed and inverted deer stags.
The compelling works featured in The Painter in His Bed focus on two motifs: figures in bed and the stag. Defining human and animal anatomy with raw expression, Baselitz negotiates apperception of these subjects through his distinctive painterly approach. Vigorously applying layers of paint, he affixes stretched nylon stockings and sheets of gauze across the upper parts of the paintings or makes monoprinted impressions of their shapes. With these additions, Baselitz extends the innovation of Springtime, his 2021 exhibition in the same space in New York. Dedicated to the spirited provocations of Hannah Höch, Kurt Schwitters, and other Dadaists, the works in Springtime draw upon these artists’ irreverent introduction of everyday materials into the realm of art. Whereas many of the Springtime paintings are exuberantly colored, the new works are dominated by elemental contrasts of black and white.
Gagosian Gallery
Robert Ryman: 1961-1964
David Zwirner, New York, November 9, 2023—February 3, 2024
Robert Ryman (May 30, 1930 – February 8, 2019) was an American conceptual artist closely identified with the high modernist Minimalist mode of painting in the 1960’s. Interestingly he did not attend an art school or program of art studies at a university. Instead, his visual interests began when he worked as a security guard at MoMA, befriending fellow employees Sol Lewitt and Dan Flavin.
From the David Zwirner exhibition text:
Ryman gained initial recognition for the work he made in the late 1960s and early 1970s. As a result, his paintings created prior to this period remain less well known to this day. Yet it was during the early 1960s that Ryman began to firmly establish the broad parameters of his radical and inventive practice. His paintings from these years reflect how, even at this early point, Ryman was already looking to interrogate and reinterpret the fundamental precepts of painting by experimenting with different supports and materials; deconstructing the relationship between frame and wall; and more broadly, investigating the visual, material, and experiential qualities that define the conditions in which a work of art is encountered. It was also at this time that the artist settled on the square as the primary format for his art and began experimenting with scale, a consequence, in part, of his move around 1961 to a studio space that afforded him the ability to work in larger formats.
David Zwirner Gallery